x 11 15/16 in .) Hendrick Goltzius reached his peak as a printmaker in the mid-1590s. When Goltzius drew the statue, the legs he saw were substitutions that had been made by Guglielmo della Porta in 1560although the ancient legs had been found soon after the rest of the statue, Michelangelo convinced the Farnese that the modern ones were just as good.The two figures looking up at the massive statue in the lower right corner of the engraving have never been satisfactorily identified. The Farnese statue was moved to Naples in 1787 with most of the Farnese Collection and is now displayed in the Museo Archeologico Nazionale there. At the Palace of Versailles is a copy by Jean Cornu (168486). Help the Johnson Museum continue its legacy by making a gift today. Does this record contain inaccurate information or language that you feel we should improve or change? In Scotland a rare copy in lead, from the first half of the eighteenth century, is sited incongruously in the central Highlands, overlooking the recently restored Hercules Garden in the grounds of Blair Castle. The Farnese Hercules From same collection. Goltzius had a deformed right hand, the result of injury from a fire when . Gift of Henry Walters, 1917, Accession Number: Please take a moment to fill your information and confirm your subscription. Download this work and make your own creation, piece of sculpture, reproduction of a piece of sculpture, Ein privilegiertes Medium und die Bildkulturen Europas : Deutsche, Franzsische und Niederlndische Kupferstecher und Graphikverleger in Rom von 1590 bis 1630, Hendrick Goltzius (1558-1617) : tekeningen, prenten en schilderijen, Goltzius-studies : Hendrick Goltzius (1558-1617), Dawn of the Golden Age : northern Netherlandish art 1580-1620 [ : 1 1993a], Die Zeichnungen von Hendrick Goltzius : mit einem beschreibenden Katalog, http://hdl.handle.net/10934/RM0001.COLLECT.367516, signature: HGoltzius sculp. During construction of the Alameda de Hercules (1574) in Seville, the oldest public garden preserved in Europe, at its entrance were installed two columns from a Roman temple, elements of a building still preserved in the Mrmoles, an unquestionable sign of admiration for the Roman archaeological sites. Australia, New Guinea, and New Zealand, Europe 1592 Engraving 16 1/4 x 11 5/8 in. Dont have an account yet? 17.37.59. Donating Artwork It was Goltzius' poor health as well as his desire to see the treasures of Rome that inspired him to travel to Italy in 159091. Born in Germany near the border of the Netherlands, Goltzius was burned in a fire as a child, an accident that permanently damaged his right hand. The statue was purchased soon after its discovery by Cardinal Alessandro Farnese and displayed in the family's residence in Rome, the Farnese Palace, until the late eighteenth century. Karel van Mander, his biographer, described Goltzius as a rare Proteus who could assume all possible guises in his art, as he did in The Circumcision in his series The Early Life of the Virgin (17.37.36), known more familiarly as his Meisterstiche. The Dutch artist Hendrik Goltzius (1558-1617) was an important draughtsman and the pre-eminent Northern engraver of his day. Membership Colossal statue of Hercules, uncovered at the baths in Hippo Regius (Annaba), Algeria. The first was a copy of the Farnese Hercules, nearly the monumental size of the original. Log in. Please take a moment to fill your information to create your account. Past. It depicts a muscular, yet weary, Hercules leaning on his club, which has the skin of the Nemean lion draped over it. 492 Hendrick Goltzius . For more information, call (607) 2556464 or send an e-mail to museum@cornell.edu, Visit our Facebook page The Farnese Hercules (Italian: Ercole Farnese) is an ancient statue of Hercules, probably an enlarged copy made in the early third century AD and signed by Glykon, who is otherwise unknown; the name is Greek but he may have worked in Rome. Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more. This engraving of the giant Hercules Farnese (presently in the Naples Museum) is based on a statue Goltzius saw in Italy. As the line winds around the forms, expanding and contracting, it gives great sculptural force to the curves and bulges of the hero's body. His superb engravings were much sought-after in the young Dutch Republic and further afield. Download image Collections with this work Planning nora vester . Millie Bobby Brown is Getting Married to Jon Bon Jovis 20 Year-Old Son Jake!? Like his illustrious predecessors Albrecht Drer and Lucas van Leyden, Goltzius expressed his artistic ambitions in scenes from the Bible, but he also illustrated episodes from classical mythology, often choosing erotic subjects. Hercules en Omphale From related movement. The Farnese Hercules c. 1592 (published and dated 1617) Hendrick Goltzius (Dutch (active Haarlem), 1558-1617) Object Details We are always open to learning more about our collections and updating the website. North America Provenance Research Search Our Collections Previous Piece Next Piece Click to enlarge image Back to collection Hendrik Goltzius Dutch, 1558-1617 The Farnese Hercules, ca. [1] Like many other Ancient Roman sculptures it is a copy or version of a much older Greek original that was well known, in this case a bronze by Lysippos (or one of his circle) that would have been made in the fourth century BC. In his engraving of a celebrated Roman sculpture Goltzius has included two observers. Forgot your password? 114 Central Avenue 70, Hercules FarneseDrie antieke beelden te Rome (series title). Hercules is depicted in a moment of rest. 10, 11 hours ago - 70 works [6] Napoleon remarked to Antonio Canova that its omission from the museum he accumulated in Paris was the most important gap in the collection. Farnese Hercules Hendrick Goltzius circa 1592 Museum Boijmans Van Beuningen Rotterdam, Netherlands Hendrick Goltzius reached his peak as a printmaker in the mid-1590s. His superb engravings were much sought-after in the young Dutch Republic and further a. close. The Farnese Hercules is an ancient sculpture named after the place where the statue was installed as a collection piece in modern times, the Farnese Collection. Engraving. On View Onder de voorstelling zes regels Latijn. The Johnson Museum actively contributes to the intellectual life of our campus and community. Goltziuss particular fascination for this Antique work of art finds expression in the unusually low vantage point and in the admiring gazes of the two viewers, these most likely being the artist himself and his son-in-law Jacob Matham. The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars. Annual Fund You can change your preferences or opt out of hearing from us at any time using the unsubscribe link in our emails. The sculpture has been reassembled and restored by degrees. F and inscribed in ancient Greek bronze 34.5cm., 13in. search Planned Giving Title: Farnese Hercules Artist: Hendrick Goltzius (Netherlandish, Mhlbracht 1558-1617 Haarlem) Date: ca. Hendrick Goltzius Title The Farnesian Hercules, plate one from Three Famous Antique Sculptures Place Netherlands (Artist's nationality) Date 1587-1597 Medium Engraving on paper Dimensions Image: 39.8 29.3 cm (15 11/16 11 9/16 in. Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded. Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online. Students He used it with varying pressure to create lines that swell and taper, and which communicate form and energy. Wong & Yeun! Among the ancient sculptures that Goltzius studied in Rome was the Farnese Hercules, which Goltzius treated unorthodoxly from the rear to give full play to his mastery of swelling engraved lines to define and enhance the titanic back. Jackie Hoffman! ca. 11079 https://collections.vam.ac.uk/item/O73266/the-farnese-hercules-engraving-goltzius-hendrik/, Image size and position, example 1/4 page, full screen, front cover, inside, Digital rights - format details and license period, Non-commercial research and private study, Non-commercial publishing (up to A5-size, and in print runs of up to 4000 copies), Non-commercial online use, up to 768 pixels, and for up to 5 years, Queen Elizabeth Olympic Park, Stratford, London. He moved to Haarlem in 1577 and established his own print publishing business there around 1578. The Museum Read our full, Please indicate that you accept all terms to proceed, Alternatively search more than 1.25 million objects from the. Statuette of 2nd century AD, in Detroit Institute of Arts. Europe Africa The most astounding sheets are the so-called pen works, tour-de-force conflations of media in which Goltzius reproduced his own forceful swelling and tapering engraving lines in pen and ink, for example, Goltzius Right Hand (Teylers Museum, Haarlem), and in brush and oils in Sine Cerere et Baccho friget Venus (Without Ceres and Bacchus, Venus Would Freeze) (Philadelphia Museum of Art). Save the artwork in any of your exhibitions or create a new one. Citation Thompson, Wendy. Many engravings and woodcuts spread the fame of the Farnese's Hercules. Color code: #DDD8D0 Color code: #BEB8B0 Color code: #F6F4F0 Color code: #918A84 Color code: #68615B Color code: #403C37. One of the most important engravers and print publishers of his time, he is most widely known today for the Mannerist engravings that he and his workshop produced during the period between 1585 and 1589. The Farnese Hercules shows to excellent advantage the virtuosic technique that Goltzius had developed, in which the swelling and tapering line pioneered by Cornelis Cort is exaggerated to the point that it becomes a focus of interest in itself. Other uses, including exhibition catalogue and display, broadcast, advertising, book jackets and commercial packaging, are covered by our commercial terms. Perhaps, as was suggested by the 18th-century Dutch artist and collector Cornelis Ploos van Amstel, they are a self portrait and a portrait of the artist's stepson Jacob Matham, who was also an engraver. Hendrick Goltzius, The Farnese Hercules, c. 1592-1617, engraving on laid paper, 42.4 x 30.8 cm; plate: 41.6 x 30 cm, National Gallery of Canada. Annual Fund Andr Le Ntre placed a full-size gilded version against the skyline at the far end of the main vista at Vaux-le-Vicomte. He was the number-one Dutch engraver of the early Baroque period, noted for his sophisticated technique and the exuberance of his compositions. Special Event Rental. A significant factor in his decision must have been the theoretical tenets espoused by Van Mander. A small Roman marble copy can be seen over the Museum of the Ancient Agora, Athens (see illustration). 1592, dated 1617, Dimensions: In myths about Heracles, killing the lion was his first task. [2] This original survived for over 1500 years until it was melted down by Crusaders in 1205 during the Sack of Constantinople. Leaning on his gnarled club, which is draped in the skin of the Nemean lion, he holds the golden apples stolen from the Hesperides, hiding them behind his back, in his right hand. Leaning on his knobby club which is draped with the pelt of the Nemean lion, he holds the apples of the Hesperides, but conceals them behind his back cradled in his right hand. Title: Farnese Hercules; Creator: Hendrick Goltzius; Date Created: ca. The heroically-scaled Hercules is one of the most famous sculptures of antiquity,[4] and has fixed the image of the mythic hero in the European imagination. Past, Students Language links are at the top of the page across from the title. His versatility, passion for experimentation, and love of showmanship are fully revealed in his late drawings and prints. Department of Drawings and Prints, The Metropolitan Museum of Art. All rights reserved. Hercules was frequently associated with the Dutch in their rebellion against Spain, and one interpretation of his odd appearance is that he was meant as an embodiment of the Dutch nation. Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more, Link - Hercules Farnese in Napels - Museum Boijmans Van Beuningen - http://collectie.boijmans.nl/en/disclaimer/. On them were placed two sculptures by Diego de Pesquera, in 1574, recognizing Hercules as founder of the city, and Julius Caesar, restorer of Hspalis. A collection of early modern and modern prints that demonstrates the range of techniques and print media, All Rights Reserved Later (in 1591) Goltzius recorded the less-common rear view, in a bravura engraving (illustration, right), which emphasizes the already exaggerated muscular form with swelling and tapering lines that flow over the contours. Goltzius studied these statues and evidently prepared the engravings during a visit to Italy in 1590/91. There, he studied works of art from Antiquity, among them, the famous statue of the Farnese Hercules, which had not been unearthed until the 1540s, and is located in the Museo Archeologico Nazionale, Naples, today. Sign Up Hendrick Goltzius reached his peak as a printmaker in the mid-1590s. Perhaps, as was suggested by the eighteenth-century Dutch artist and collector Cornelis Ploos van Amstel, they are a self-portrait and a portrait of the artist's stepson Jacob Matham, who was also an engraver.The Farnese Hercules shows to excellent advantage the virtuosic technique that Goltzius had developed, in which the swelling and tapering line pioneered by Cornelis Cort is exaggerated to the point that it becomes a focus of interest in itself. New York. Painting was viewed by him and others at the time as the summit of achievement in the arts and much more prestigious than engraving. North America HENDRICK GOLTZIUS (1558-1617) The Farnese Hercules engraving, circa 1592, on laid paper, with an indistinct Fleur-de-Lys watermark, a fine, early impression, with wide margins, in very good condition, framed Plate 416 x 300 mm., Sheet 498 x 366 mm. Australia, New Guinea, and New Zealand Exhibition catalogue. The engraving by Goltzius, unusual for its viewpoint and its inclusion of observers, was one of a long series that had spread the fame of the statue, including one by Jacob Bos (41.72[2.63]) that provides the more common front view of the Hercules. The publication in 1961 of E. Reznicek's catalogue rai-sonn of Goltzius's drawings, and an article by H. Miedema in 1969, established a theory on the . Farnese Hercules (1592) by Hendrick Goltzius. The two figures looking up at the massive statue in the lower right corner of the engraving have never been satisfactorily identified. Please enter your email address. Een groot beeld van Hercules, op de rug gezien, leunend op zijn knots. 20002023 The Metropolitan Museum of Art. Cum privilig./Sa.Ca.M., caption: Domito triformiorbis Hercules. 1592 (engraved) The Dutch artist Hendrik Goltzius (1558-1617) was an important draughtsman and the pre-eminent Northern engraver of his day. Leeflang, Huigen, et al. The Farnese Hercules is a massive marble statue, following a lost original that was cast in bronze through a method called lost wax casting. Past, Upcoming It was Goltzius' poor health as well as his desire to see the treasures of Rome that inspired him to travel to Italy in 159091. Hercules Farnese, Hendrick Goltzius, 1617 engraving, h 419mm w 303mm More details. Scroll left to view more. Contact us here. Hendrick Goltzius (15581617), engraver, print publisher, draftsman, and painter, was one of the outstanding figures in Dutch art during the late sixteenth and early seventeenth centuries. Glykon, whether working in Rome or Athens, is not otherwise known. "The items in the collection were acquired or requisitioned by Cardinal Alessandro Farnese, who became Pope Paul III (1534 - 1549)."* "Drawings and Prints: Selections from the Permanent Collection," May 6July 28, 1996. The statue is shown in the 1954 film Journey to Italy along with the Farnese Bull. Kim & Kris! According to a letter of Guglielmo della Porta, the head had been recovered separately, from a well in Trastevere, and was bought for Farnese through the agency of della Porta, whose legs made to complete the figure were so well-regarded that when the original legs were recovered from ongoing excavations in the Baths of Caracalla, della Porta's were retained, on Michelangelo's advice, in part to demonstrate that modern sculptors could bear direct comparison with the ancients. Faculty and Instructors In the late 1580s, Goltzius was at the height of his success and created some of the most spectacular pieces in the history of prints, most notably The Feast of the Gods at the Marriage of Cupid and Psyche (2000.113), The Great Hercules (46.140.28), and the series The Four Disgracers (53.601.338[3]). The engraving by Goltzius, unusual for its viewpoint and its inclusion of observers, was one of a long series that had spread the fame of the statue, including one by Jacob Bos that provides the more common front view of the Hercules. Public domain data for this object can also be accessed using the Met's Open Access API. Goltzius translated to paper the plasticity of the muscular, marble body by drawing sweeping lines that rise and fall with his burin, creating volume by means of a lively play of light and shade. Check out whats on view this season at the Museum and look back through our history. (42.1 x 30.4 cm) Classification: Prints Credit Line: Gift of Henry Walters, 1917 Accession Number: 17.37.59 [8] At Wilhelmshhe, near Kassel, a colossal version 8.5 m high produced by Johann Jacob Anthoni, 17131717, has become a symbol for the city. The sculpture was admired from the start, reservations about its exaggerated musculature only surfacing in the later eighteenth century. He has just performed one of the last of The Twelve Labours, which is suggested by the apples of the Hesperides he holds behind his back. (https://www.metmuseum.org/art/collection/search/343588). It depicts a muscular, yet weary, Hercules leaning on his club, which has the skin of the Nemean lion draped over it. https://www.metmuseum.org/art/collection/search/343588. Donating Artwork, Planned Giving Goltzius, Hendrik (engraver (printmaker)). A cookie is a small text file which will be saved on your computer or mobile device when you visit our website. In Rome, he appears to have wanted to create a series of engravings of famous works of art like his Farnese Hercules (17.37.59), in particular classical statues, based on new and reliable drawings made on the spot; in this case, the Farnese Hercules (back view) in red chalk, and the Farnese Hercules (back view) in black and white chalk (both in the collection of the Teylers Museum, Haarlem). HENDRICK GOLTZIUS (1558-1617) The Farnese Hercules engraving, 1592, on laid paper, watermark Fleur-de-Lys in Crowned Shield with pendant Letters WR (similar to Laurentius 434), a fine impression, with small margins, the lower left sheet corner outside the subject repaired and partially made up, two small repaired paper losses in the lower right margin, a few short tears and tiny nicks at the . As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes. #Engaged!? The sculpture bears the incised signature of Glykon, in Greek. Teachers They are often identified as Goltzius himself and his stepson Jacob Matham. 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